New meeting with Amaar photographer and movie director. We checked for buildings around the Jantar Mantar that could be used to shoot a Time Lapse, but we failed. The one tall enough are not situated in the good direction and the location which would be perfect (south of the site) has no building tall enough.
Another way could be to concentrate on only one instrument, the Samrat Yantra, the big sundial and shoot it from the top of one of the Yam Yantra a smaller instrument situated south of him. I'll go tomorrow to check if the angle is good. While we were a little disappointed about that, we consulted some pictures of the Jantar Mantar from Jaipur and it stroked us that we should perhaps do this Time Lapse there. It makes sense as the instruments are in better shape and that the sky is much less darkened by pollution and that there is buildings all around, even a wall surrounding the site, and suddenly lots of new ideas emerged. To be continued..
Before this meeting i did this track, hope you enjoy the short preview.
Extract of a 60min piece consisting of a field recording of the Lajpat Nagar O-Block in Delhi at night and 6 Bouddha-machines.
Another way could be to concentrate on only one instrument, the Samrat Yantra, the big sundial and shoot it from the top of one of the Yam Yantra a smaller instrument situated south of him. I'll go tomorrow to check if the angle is good. While we were a little disappointed about that, we consulted some pictures of the Jantar Mantar from Jaipur and it stroked us that we should perhaps do this Time Lapse there. It makes sense as the instruments are in better shape and that the sky is much less darkened by pollution and that there is buildings all around, even a wall surrounding the site, and suddenly lots of new ideas emerged. To be continued..
Before this meeting i did this track, hope you enjoy the short preview.
Extract of a 60min piece consisting of a field recording of the Lajpat Nagar O-Block in Delhi at night and 6 Bouddha-machines.
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